What have I done?

I believe in fate. As in things happening for a reason, and paying attention to what was meant to be. Or what I perceive as such. That’s exactly what brought me to a rash decision.

Six and a half years ago I naively embarked on what I thought would be a 1-year project. I confidently sat down and started writing. Feeling a book in the making, I plowed through thousands of miles of bike touring with Rich, capturing all the nuances of our day to day travels. Living on two bikes, our meager belongings in paniers, the ups and downs of married life for up to two months on the road at a time. I poured my life and creativity into that project. For over four years.

I learned a lot along the way. Writing classes, a writing coach and my writing group sustained and propelled me through the process. I wrote well into the pandemic, transforming our bunk room into my home coffee shop where I could hide and write. I tackled structure, scenes, dialog and the other essentials. Until one day two years ago, when I stopped. Stuck.

Bottom line, it’s not about the bike. I’ve now read enough cycle touring stories (thanks to the advice of my writing coach) to know that just chronicling our touring is not enough. In fact it can be pretty boring. It’s what is underneath that counts. What the real plot is. And I just don’t know what that is.

My manuscript lies buried in the hard drive of my laptop, untouched since then. I thought the plot would come to me, but it hasn’t.

A couple of weeks ago, I took a Zoom writing class that resonated with me. Nail your Memoir Structure by Thinking like a Novelist, taught by Allison K. Williams gave me a lot to ponder. It identified a lot of writing techniques, book editing tactics and good solid advice. None of it solved my problem, but it made me think, and it gave me hope. So when Allison mentioned she was teaching a class on Madeline Island this summer, I succumbed to the temptation and took a look.

The very first writing class I ever took was at the Madeline Island School of the Arts, eight years ago. The immersion experience of working in a small group with an instructor for five days and living on campus fueled my nascent foray into writing. Could the same environment re-invigorate my creativity? Could it help me find my way to the underlying truth?

There it was: Second Draft: Your Path to Powerful Publishable Writing. The dates could work for me by manipulating my plans on either end. So tempting, but a roadblock. No lodgings available. To me, being on campus is an integral part of the experience. I wasn’t sure I was game for being a day student, even if I could find nearby lodgings.

With some nudging from Rich, I half-heartedly emailed to ask about a wait list, or alternate accommodations. Already letting go of the idea. One day later, I received word that there had been a cancellation. Not only that, but it was a single room with shared bath – the exact room I wanted. I had to commit immediately to claim it. So I did. Certain that this was a sign. It was meant to be.

I was thrilled, riding on a high for the rest of the day. At night, all my doubts invaded. Will this really help me find the answer? More importantly, do I really want to do this? Am I ready to recommit myself to the task? To the mammoth, years-long process of manipulating my words into a viable story that others will want to read? Do I really want to spend all those hours sitting in a chair in front of my laptop when I could be outside on my bike, in a kayak or skiing? Or is this just what I need to refuel my self-confidence and provide a balance to my active life?

I’m about to find out. Between now and the end of July I will have to unwrap those dormant chapters and re-engage with the story. Remind myself where I was in the process, and hopefully rekindle the spark that began this journey. Only then can I travel to Madeline Island, settle into my room, partake of the healthy cuisine and become one with my fellow writers in class. Drink in the wisdom of our instructor.

And discover just what I have done.

A Sunny Retreat

I have a habit of flying into snowstorms.  Three times in recent history my return trip from a winter excursion has been delayed a day or more due to blustery Minnesota weather.  I’ve become an expert at rebooking my flights.  The most recent was my return from Seattle, leaving me just 27 hours at home before departing again for the next trip.  Out with the ski clothes, in with the shorts and sandals.

This time the destination was Tucson.  Soldiering on at home while I skied up mountains with Erik, Katie and her mom Betsy, Rich was in need of a break.  He craved respite from this winter’s relentless snowfalls and wistfully reminisced about the sunny warm days we often spent in Arizona.  Despite the clench in my stomach induced by the thought of crowding in another trip, I agreed.  I’d had my fun, he should too.  And who was I to argue with visions of that blissful warmth?  Some hardship.

I decided I would treat it as a retreat.  We’d been there enough times to cover all the best sights and I felt no compunction to be touristy.  I had no must-do activities in mind.  Instead, I would use the time to soak up the outdoors by running, biking and hiking, enjoy eating out, and most importantly rejuvenate my inner creativity.  I was sorely in need of jumpstarting my writing, drawing and painting. That was something to look forward to.

We have a favorite “casita” in Oro Valley, cradled between the mountains with a back patio facing east where we dined each evening as the sunset painted the mountains red.  It was already booked on such short notice, but Rich found one nearby with the same stunning view in addition to a beautiful yard and pool we would share with the homeowners.  Our late afternoon arrival soon confirmed the perfection of his choice.

Normally, we do this trip in April, and although I knew it would be cooler this time, I feared I hadn’t brought enough warm clothes when the first few days started in the 30s and only reached the mid-50s.  Still, I reminded myself that it was a lot colder at home. But that argument wore thin on day 2 when we woke up to 2+ inches of thick snow!  While it was shocking, it was also beautiful and unique.  Our host told us they had seen this happen only twice before in 20 years, and Rich eagerly grabbed his camera to capture the desert under snow.

I did my usual – headed out for a run, using that as my opportunity to see the area blanketed in white and stop frequently for photos.  I wasn’t the only one, cars hastily parked on the roadside everywhere, doing the same.  Unlike Duluth, the walkways were clear and once the sun crept out from the clouds the melting began.  By mid-morning it was all fading into a wet memory.

One of Rich’s desert snow shots

As the week wore on, the temperatures steadily climbed.  Tucson has wonderful bike trails, and I recreated my long rides from past visits.  My favorite outing was timed to coincide with the Rillito River Heirloom Farmers Market.  I was chilled to the bone by the time I’d logged the 22 miles to get there (all on bike trail!), and I eagerly sipped hot coffee and relished a fresh scone as I perused the bountiful farm offerings, artisan crafts and food booths accompanied by local musicians.  By the time I left, I was able to shed all my warm layers and return in shorts and jersey – a long awaited treat.

Rich avidly pursued his birding and photography, scoring a number of rare finds as well as locating his favorite prey – owls.  That inspired me to keep my promise to pursue my own crafts.  Whenever possible, I requisitioned the little table outside our casita to do my writing, crafting several posts for my long neglected blog.  It felt like priming the pump, doing something rusty yet familiar, in preparation for other works I want to tackle.

I used my bike rides to scout out ideas for my nascent discovery of journal sketching and watercolors.  Keeping my eyes peeled for interesting cacti and plants, and knowing I couldn’t crouch on street medians or private front yards, I snapped photos in order to recreate the scenes later.  That was a no-no in the class I took last year, but sometimes you just have to make do.  After spending more time at that little table on the patio, I finally rendered one finished piece. 

Our final day delivered the picture-perfect Tucson weather I had learned to love – cool in the morning, but clear sunny skies and reaching the mid-70s.  I set my sights on re-exploring the third of the lengthy Loop trails, and headed down to the southern portion of the Santa Cruz River Park.  The miles quickly slipped beneath my rental bike tires as I plied the flat trail, out on one side of the wash, back on the other.  Cyclists from racing teams to slow putterers and e-bikes went by, all out to enjoy the beautiful weather.  By the time I returned, I had logged 50 miles.  A suitable finale, I felt.

And yet, I was reluctant to let the day slip away and craved at least a short hike before surrendering this locale.  After dithering over my options with unnecessary anxiety, I finally settled on a local park for a walk. Donning my running shoes and grabbing some water, I headed out to the car.  But I never got in.  What was I doing?  What was I trying to prove?  Hadn’t I just been bemoaning the fact that it hadn’t been warm enough to sit out on the patio to enjoy the view?  It was enough to turn me around.  Grabbing the Mother/Daughter journal that Karen and I share, I made my way over to the remaining sunny spot by the pool.  I settled in with pen and paper, first immersing myself in Karen’s latest entry, then contemplating my response.  Soon I was lost in thought, penning my entry, composing as I went with no option to hit delete or rewrite.  This had to come straight from the heart.  And it did.

Sometimes I need a push to get out of my comfort zone, to abandon my carefully laid plans and tendency to want total control over my life.  This trip was good for me, and Rich got his much-needed escape.  We spent unhurried time together in addition to pursuing our own desires.  It was just the sunny retreat I needed. Even though another Minnesota snowstorm was on the way…

Back in the Saddle

I knew right where to find them. There in the hall closet my panniers lay carefully folded on a shelf, surrounded by camping and biking gear. As I pulled them out, memories came flooding back with them, swarming my senses with the sights, sounds, and emotions of bicycle touring. It all felt so long ago. Three years. A lifetime.

What started as a lark in the early days of our retirement, taking a week long trip around the western end of Lake Superior by bicycle, quickly turned into a passion. One that consumed our travel itineraries for the next eight years and over 10,000 miles. One week turned into two months, then became a month-long gig every year, sometimes twice a year. We pedaled coastlines, remote countryside, forests and prairies, followed rivers and snaked through mountain passes. We even ventured abroad, hauling our bikes over to Scotland and trying a self-guided tour in Norway. On a rare occasion we were joined by our son or a friend, but mostly it was just me and Rich. Over time, it defined us. It’s what we did, what we loved to do.

Trans-Superior Tour – our first adventure
Grand Gaspe Tour – our longest tour
Norway’s Lofoten Islands – our last tour

And then it wasn’t.

Enter Covid. Suddenly restaurants shut down, little motels struggled, using host homes was out of the question. While biking itself was a safe activity, the infrastructure for our travels collapsed, and we weren’t game for a 100% camping tour. We were grounded, limited to day rides and the isolation of the pandemic.

But that wasn’t the worst of it.

In October of 2020 Rich collapsed while out trail running near home. A genetically misshaped heart valve had deteriorated severely over time, leaving him with a leaky, enlarged and damaged heart. Two weeks later, he emerged from the hospital with a new valve, a zipper seam down the middle of his chest, and a pacemaker/defibrillator. His active lifestyle was the biggest factor in his ability to recover, but was also severely challenged by this new condition with the unfortunate name “heart failure.”

As Covid raged on, so did Rich. With patience and determination over two years, he fought his way back to cycling, trail running and cross-country skiing. All at a new pragmatic pace. Perhaps to quell my nagging, he bought an e-bike this summer and quickly learned that it wasn’t a cop-out, it was an enabler. It has reduce the anxiety and restored his joy in cycling.

But bike touring is still an unknown.

Enter Minnesota Trails Magazine. For years, each summer editor Jan Lasar and I have collaborated on a story about a ride on one of our state’s scenic byways or trails. He takes the photos and I write the story. Usually it’s a one-day affair, but this year we had targeted the contiguous combination of the Central Lakes, Lake Wobegon and Soo Line Trails, a combined mileage of 144 miles. We decided to break this into a 3-day ride, and I smelled a bike tour in the making.

Oh heavenly day!

Three days or two months, packing for a bike tour requires the same amount of clothing and paraphernalia. The only difference is how much hand washing in a motel room sink is required. My handy dandy cycle touring spreadsheet guided me through the process of gathering my gear and stashing it neatly in place.

It wasn’t easy, striking out on a tour without my partner. It wasn’t the same as setting off with Rich with vast expanses ahead of us, tackling it together. While he is grappling with his limitations and celebrating his advances, I still long to challenge my own limits and push myself. We’re both learning to manage through this new normal, which sometimes means letting each other loose.

Our tour started in Fergus Falls and stretched to Waite Park outside St. Cloud, plus another leg from Albany to the Mississippi River dam near Highway 10. We broke the ride with motel stays in Alexandria and Albany, and had shuttle help from Jan’s friend.

Normally when Rich and I bike tour, we avoid bike trails. Too often they are monotonous and skirt the towns which we enjoy exploring. But this combination of trails was an exception to that rule. Following old railroad beds, we rode through towns where old train depots once dispatched passengers. Now instead, we were greeted by tall grain elevators and could stop to investigate the local sights.

Throughout the ride, Jan photographed while I snapped iPhone shots and took mental notes. Nothing stopped Jan from getting a creative vantage point, and re-do’s were common, sometimes raising the eyebrows of curious onlookers.

In the evenings, I felt that familiar fatigue that comes of spending all day on a bike. The satisfying sense of accomplishment, the justification for a hearty dinner, the welcome of a soft bed. And the anticipation of doing it all again the next day.

All too soon, we pulled up to our destination and dismounted our bikes for the last time. We had endured 93-degree heat, a flat tire, a chilling headwind, a 66-mile day and saddle-sores. We enjoyed good pavement, the lack of cars, the rolling farmland, nice parks and caffeinating at a cozy coffee shop. All part of the package when bike touring.

It was a great tour, although it wasn’t the same. I missed Rich and couldn’t help but wish for future tours with him once more. But only time will tell that story. For now, it felt good to be back in the saddle.


Look for the Summer 2023 issue of Minnesota Trails Magazine to read the full story and see Jan’s amazing photographs of this tour. The magazine is published quarterly online as well as free print copies available in Minnestoa parks and outdoor shops.

When the Words Won’t Come

It’s been a dry year for writing. After steadily plugging away on my book for over four years, I came to an abrupt halt. At first, I put it down to my usual summer slow-down, the season when I prioritize family, cabin, friends and the outdoors over sitting in front of a laptop. But I failed to get re-energized all through the fall and winter and felt lost, drifting without that goal and sense of productivity. I had to do something.

It was a writing friend who pointed me down a new path. I’ve always had an interest in sketching and was intrigued when I saw a distant cousin doing “journal sketching” years ago. The idea stuck with me, so when Gail recommended Jane LaFazio‘s online class Sketching and Watercolor: Journal Style I took the plunge.

The class included six lessons, one released every week for the students to work on independently. I ordered her list of supplies and waited eagerly to begin.

Week 1: Fruit. I watched her video, read all the instructions, and looked at her examples. Could I really do this? I pulled a sheet of thick watercolor paper off the 5×7″ pad she recommended and lined up my drawing pencil and kneadable eraser. Setting pencil to paper, I took a deep breath and began to follow the outline of the fruit in front of me. This was a rough draft, after all, and I could always hit delete and rewrite it.

Pulling out my permanent ink pen, I traced my pencil lines. There was no going back here, each stroke of the pen was a final statement – a sentence I could no longer change. But it went surprisingly well and I forged on.

The final step was all new territory to me. I opened up my children’s set of watercolors that Jane assured us were a good inexpensive starting point. Now I had to mix colors, blend shades and capture the nuances of light and color. I still have a lot to learn about writing scenes, and this felt the same way. I needed to make this come to life, now with water and paint. With Jane’s reassuring voice in my head, I applied my brush strokes as best I could.

For the journaling aspect, Jane encouraged us to frame our paintings, to add words and context to the composition, and to sign and date it. She was right, it added the polish my timid start needed, the final edit to complete the story.

Voila, I had my first painting!

Now it was time to share my work. The final step was to post my painting on our class discussion page with a note about the experience. Just like reading my stories aloud in writing workshops and hearing others read, this became a valuable learning experience. We all opened ourselves to exposure, gave feedback and encouraged one another on this journey. In addition, Jane commented on each and every painting, always providing encouragement infused with helpful tips and insights.

Buoyed by my first attempt, I bought more fruit and continued painting and posting throughout the week.

Week 2: Leaves. Who knew there were so many colors of green in the plants around us? Jane taught us to mix colors, to layer them on the paper and reveal the veins in the leaves. I revelled in the new techniques, but lacked material in our bleak Northland spring that had not yet sprung. Just as story and plot have evaded me as a writer, I had to get creative and find alternate ways to express myself. This time, foraging in the refrigerator and tub of spring greens I found inspiration.

I liked these small compositions. I was not overwhelmed by a large expanse of white paper, and a complex layout. They were a manageable size, something that could be accomplished in one or two sittings. Just as the magazine stories I have continued to write this year while my book lays fallow. Short projects that were contained and manageable.

Week 3: Straight to Ink. Now this was a scary concept, drawing with no safety net. Committing immediately with no recourse. Sort of like those writing prompts I’ve done in classes. Write about the color Red for five minutes. Don’t look back, just keep writing.

We warmed up with continuous line drawings. Keep your pen on the paper without lifting it, go over existing lines if you need to. I was skeptical, but it turned out to be fun. Then we drew with our non-dominant hand. The results were wobbly and sometimes a bit wonky, but I had to admit there was a bit of charm. It made me realize that left alone, my drawing is very controlled and precise. It takes work to let myself go and let the lines just flow.

We were granted permission to raise our pens in our subsequent drawings, but it was still hard to commit to ink right out of the gate. I found that it forced me to keep my eyes on the subject more, and trust my hand to follow its outline. The longer I kept at it, the bolder I became. I learned to embrace the irregularities and appreciate the end result. Perhaps I need to do more of that in my writing. Ignore the wiggles and blips and just let the words come. Sort it out with color later.

Week 4: Flowers. I was learning to like sketching and painting nature. It’s very forgiving in its irregularities and loose symmetry. This time it took purchasing a bouquet at the grocery store for my subjects, while I gazed wistfully at the garden flowers from fellow students in warmer climes.

My bouquet contained some brilliantly colored blooms, impossible to replicate with my student paints. I queried Jane. “How do I make hot pink?” Her reply, “You can’t. You need specific colors like Opera Pink to get it.” Clearly my toolkit was lacking, so I researched the more professional paints she had recommended for those willing to pay the price. I was now one of those. I hit Place Order.

Perhaps this was like hiring a writing coach. When I found myself unable to navigate the divide between writing short magazine stories and the manuscript for a book, I sought to increase my toolkit. She guided me through exercises to grow my skills, to learn new techniques and put me on a course to continue working on my own.

While I waited for my new paints to arrive, I did the best I could with the materials at hand, and finished up with some pastel flowers.

Week 5: Shoes. I just knew I was going to like this lesson. Shoes provided such a vast array of choices. This one in particular provided numerous comments and camaraderie when we posted our paintings. I found great fun and inspiration in the shoes my fellow students chose, and how they rendered them with ink and watercolor. Students ranged from novices like me to those with obvious artistic talent, and I learned from every one of them. I also admit to borrowing some of their ideas and techniques.

Clearly this was why my writing coach instructed me to read every book in my genre that I could get my hands on. I learned what worked and what didn’t. What made me want to keep reading, and what caused me to quit reading some books.

I dove into my own closet first, then succumbed to the cuteness factor of my grandchildren’s footwear. Sometimes it’s the subject matter itself that makes a creation shine, whether it’s in print or paint.

Week 6: Man Made Objects. This lesson incorporated techniques for drawing to scale, maintaining symmetry and the artistic license in choosing what details to leave in or exclude. Not wanting to copy Jane’s example of a wine bottle with a classy label, I stumbled on a bottle of Amaretto in the pantry. It contained plenty of challenges for getting the proportions right, and I worked through her methods to complete my drawing. But the thought of replicating the bumpy texture of the bottle and the shiny glass was daunting, so I set it aside. When I completed painting a kettle and tea cup, that first drawing taunted me, daring me to complete it. I accepted the challenge.

Sometimes stories don’t go well. Chapters just won’t work. I’ve found that if I leave them alone for a while, rather than using blunt force to push through them, the answer becomes more clear. Or my confidence surges. And the end result is greatly enhanced. So it was for my Amaretto. Along with the help of my new paints!

I have completed my class, but not my painting. I have a lot of practicing to do, especially mastering those finicky watercolors. I found that I look forward to these art projects, and they can absorb a whole morning or afternoon just as writing did in the past. I did have a niggling worry that I might supplant my writing time with sketching and painting. That I might transfer my allegiance from creating with words to ink and color.

I went into this new venture hoping to stimulate my creativity, to open that side of my brain hoping it would spur on my writing as well. If I had my way, I would marry the two. Use my ink and color to illustrate my words. But I’m not there yet.

The biggest hurdle with my book is that I cannot see the true thread, feel the message I am meant to be sending, the audience I seek to serve. Learning to draw and paint hasn’t solved that for me, but clearly it has taught me many transferrable lessons. So for now, I will continue my new art and wait for the words to come.

Youthful Inspiration

The words that flow across the screen reveal an endless source of imagination. Mya’s fingers fly around the keyboard as she composes, intent on her work. She stops only to ask questions: “How do you spell shriek?” “What should I call the planet? How about Nimo? Wait, I think Nimeo is better.” Her eight-year-old brain is on overdrive. Her enthusiasm infectious.

Mya contemplating her story

Soon her ten-year-old brother follows suit. Opening his own Google Doc, Ben begins typing.

Ancient

Long ago there was a myth that there was a temple that was told to behold many treasures. And only one person can wield its power.

Ben writing his story

I am there to help them with their distance learning, and in their spare time I expect them to run off and play, or look for a snack. Instead, they are fixated on writing stories. Grandchildren after my own heart. I find Mya nestled on the couch before breakfast, cradling her chromebook, her face intent with concentration.

As their tales grow they are eager to share them with me. “Grammy, listen to this.” Ben reads his story out loud, always starting from the beginning, title and all. “Grammy, I’m on chapter two,” Mya chimes in. “Here’s what’s happening now.”

I am all ears. That’s what Grammys do. But it is more than that. I’ve been on this writing journey for almost nine years now. I’ve taken classes. Attended conferences. Read books. Done workshops. And worked with a writing coach. I’m still honing my craft, continually learning. And I just found a new source of tutelage.

As Mya reads aloud, and reaches the end of chapter one, she leaves me hanging. It ends with a twist. I am eager to know more, to turn the page. It is a technique that took me a long time to master.

“Oh, I learned that from reading Harry Potter,” Mya explains.

Isn’t that what we are told to do? If you want to be a good writer, then you must read, read, read. Find good authors, grow your vocabulary, notice and absorb their techniques.

Ben likes to fill his story with dialog. His characters trade quips back and forth. On the page I find rapid fire quotes with narry a “he said” then “she said” between them. Even so, I know just who said what.

Not only did I shy away from dialog in my early work, but once I began to dabble in it, I insisted on attributing each line to its owner. An editor broke me of that habit, but I’m still working on it. Somehow, Ben got it from the get-go.

Mya’s story abounds in mystical creatures with fantastic names. She talks out loud as she types, speaking her creativity, trying out the sounds on her tongue.

… a girl named Rayla Minnesota lives on the edge of the city. She has a pet called Moono. Moono is a Bisha. A Bisha looks like a lion, except Bishas are blue with white diamonds. Moono was so big that Rayla is able to ride him! Monshias are wolves but they have wings and come in many different colors. People say they roam the sky at night. Monshias are rare.

I am in awe. My genre is memoir and creative non-fiction. I have yet to dabble in fiction. I shy away from the imagination it requires. But Mya dives in with abandon in “The Wings of Galaxy.”

Once upon a time, there was a world named Nimeo. Nimeo is a bit bigger than a faraway planet called Earth. Nimeo has two blue suns and two moons. Even though Nimeo has two suns, it usually is dark. The planet’s oceans are purple, and like Earth, the land is green. The suns are far from Nimeo, but since the blue suns give off so much heat, Nimeo has enough warmth that the people can live.

She decides that in the world she is creating that characters take state names for their surnames, and cities are named for our planets. Where does she come up with this stuff? I have a hard enough time finding substitute names for my real-life characters whose identity I want to protect.

Ben’s story features James and Louis, two miscreant school boys. How do I know that?

When James and Louis got back into the classroom they picked their chairs in the back as they always do.

After school, they boys meet at an abandoned outpost. James proposes returning home to get something, leaving Louis there on his own. Louis delivers his response: “Leaving me at a spooky outpost for an hour, uh he he sure.” Louis said, quivering. Ben doesn’t say Louis is scared. He doesn’t call the boys mischievous. He shows me. Did someone teach him that? I certainly had to be taught.

Louis sat looking at the beautiful sleek white furred creature. It had a long glimmering tail, and two turquoise eyes. “Wait a minute, I know what kind you are, you’re an ancient wolf!” “Oh, I forgot, you glow in the dark, just realized that because you’re glowing right now.”

I recently attended a webinar about developing characters. I was told that because I know my mother so well, I unwittingly assume my readers can picture her, understand her background and recognize her habits. It made me realize I need to bring her – and all my characters – to life for them. Ben didn’t need any encouragement to breathe life into his ancient wolf. I can see it vividly!

I can’t begin to approach the depth of their imagination, their thirst for fantasy. I have to admire their desire to invoke it in their writing. I’m thrilled to see their passion funneled into words and stories at such a young age. And with apparent effortlessness.

As the week progresses, the kids make rapid progress on their stories. My own writing languishes as I lavish attention on them instead. As a Grammy should. But my enthusiasm for the craft is renewed and I return home eager to follow Ben and Mya’s examples. I attack my book once more, intent on my story, working with youthful inspiration.

Molly writing

Here I go again

My forever project.  That’s what I’m now calling the work that has consumed the last four years of my life.  What was I thinking when I started out to write a book, expecting that it was The Year of my Book?  Naive as I was, I poured my heart and soul into the stories I wrote for the next year.  And the year after that.  Tales derived from the thousands of miles that Rich and I covered on our bicycle tours, along with the joys and the conflicts that accompanied them.

I supplemented my work with taking writing classes, reading books about craft, joining Lake Superior Writers, and networking with other writers.  I grew as a writer, but knew it wasn’t enough.  I decided to engage a writing coach, to get first-hand personal input on  my efforts to write a book.  Even as I packaged up my work to send to Mary Carroll Moore, I knew what I had was just a “pile of content.”  I relied on her to steer me through shaping it into a book.  I spent the next six months working with her, and she delivered.

Molly writing

It has taken me another two years to put those learnings into practice.  To whittle down my stories and turn them into a cohesive tale.  One that goes well beyond pushing the pedals of my bike, and explores the inner me that journeys through life.  I’ve learned that the bicycle is the vehicle, not the real focus.

Less than half of what I first wrote remains in this new version.  But so much more is woven in between those pages.  I’ve delved into my past, dug into my innermost desires, scrutinized my motives and exposed my biggest failure.  There were times when writing felt like therapy sessions.  But I could see how it all began to weave together.  I could feel it working.  Maybe.

I feel as though I’ve taken it as far as I can on my own.  I could spend months tweaking and fine tuning, but it would all be for naught if I’m not on the right track.  I’m yearning for that professional guidance and tutoring specific to my writing, to my project. I’m ready for another check-in with my coach.

As I prepared for the October start to our next engagement, I looked back on the notes I sent her the first time around.  Specifically, I read through an exercise focused on Why am I Writing this Book?  I was amazed to find that my original reasons no longer hold true.  My purpose has changed.  The themes have shifted.  The points I want to make are vastly different.  I think it’s progress.  I hope she thinks so too.

Yesterday I took my document to the printer, and came home with 320 double-spaced pages.  Nearly the same size as last time, but not at all the same inside.  This time I’m willing to call it a manuscript.

I’m both eager and nervous to get Mary’s reaction to the transformation.  I already know she will be encouraging no matter what.  But I have no illusions that I’m close to done.  I trust her to guide me from here, and teach me the techniques and nuances that will take this to the next level.

Mary is still the only other person who has read this volume.  I’ll keep it that way until I’m good and ready, until it’s good and ready.  I know I still have plenty of work to do.  So here I go again.  Coaching round 2.Life Cycling manuscript

Breaking the Solitude

We hear it all the time. The only way to get writing done is to “put your butt in the chair.” Show up and just do it. Punch those keys, push that pen. It requires mental fortitude, commitment, a will to write. And a willingness to shut out everything else, endure the solitude.

It’s been a quiet fall. The sudden cancellation of our September travel plans left me at home with an empty slate. An abundance of empty mornings that screamed Writing Time. A lack of excuses. A productive stretch. A lot of time spent inside my own head.

Yet as I look back over the last few weeks, I can see the benefits I reap from my so-called solitary pursuit.

A chance meeting at a birding event with my husband, Rich, led to a coffee date with another nascent writer. She shared her passion for submitting stories to publications, reigniting my resolve to pursue more short pieces and send them out into the world. We swapped sources, favorite contests and writing goals all with a heavy dose of encouragement.

Through Lake Superior Writers, I have met local writers and now call many of them friends. Most are far more accomplished than I, yet generously share their knowledge, their experiences, their support. I can pour out my fears and inhibitions and they get it. They’ve been through it. Just recently, I spent several hours walking the woods of Lester Park and Hawk Ridge with two such women. With each crisp footstep and breath of Northwoods air, I relished the one-on-one connection, the common pursuit of elusive goals. No matter our skill levels.

My very first writing class was a week-long immersion in travel memoir, sequestered on beautiful Madeline Island. The twelve women in the class bonded by week’s end, sharing our writing aloud – hesitantly at first, then more eagerly as the week progressed. Last weekend, five of us gathered for dinner. We’ve managed a haphazard schedule of reunions since we first met four years ago. Of course, we all brought a piece to read. We still cheer one another on.

My own writing group met a few days ago. We’re only three in number, but we hold one another accountable. Critique each other’s works. One member has accurately dubbed it the Motivation Group. Once again, it’s the common bond of writing that unites us. Enriches our lives with this connection.

Today I just returned from the North Shore Readers and Writers Festival in Grand Marais. This bi-annual assembly of authors, instructors, book lovers and writers is the pinnacle of literary indulgence. For four days, I attended classes, listened to speakers and panels, and rubbed elbows with other writers all day long. Socializing over wine, meeting up for dinner, or just sitting in the same sessions widened my network of fellow writers and friends. But even better I could share my passion with like-minded folks. People who ground me. Reinforce my desire, and fully share the journey.

I came home exhausted but inspired. Ready to put my butt in the chair again. New ideas racing through my head. Suddenly, I don’t feel so alone anymore.

Why a Writing Coach?

Last time I checked in on my writing journey, I had just emailed my book manuscript to my writing coach, Mary Carroll Moore.  I waited in anxious anticipation while she took a month to read it, think about it, reread it and send me her initial report.  In addition to feedback on my manuscript, she provided an in-depth description of the process she used to evaluate my work, and laid out a plan for working together.  While it was overwhelming, I was certain I had chosen the right coach.

Now, seven months later, I have come out the other side of that experience.  After dedicating myself to the writing process for the duration of my coaching, followed by some time to reflect, I thought it was high time to report back on what it was like.

I will readily admit that the coaching process was not at all what I expected.  I naively assumed it meant working through my manuscript.  Tweaking my writing.  Developing its flow.  Working the chapters into it into a cohesive structure.  We worked on all that, but not via my words.  Instead, it involved carefully devised assignments that led me to take a step back to look at the content as a whole, then tear it down into small modules, scenes.  Work on those, then reshape them into the chapters.  Pay attention to the reader’s perspective, not the writer’s.  Finally, rebuild it back into an overall structure.  All of this took place within a list of my chapters, not the manuscript itself.  For me, that systematic approach perfectly suited my analytic nature.

Logistically, this occurred through eight sessions conducted entirely by email. For each check-in I sent in my assigned work.  I also kept a running tab of questions and observations as I worked and included that as well. Mary emailed back a wealth of comments and answers, followed by background materials and instructions for the next assignment.  Several emails usually flowed, as I reviewed the feedback and asked clarifying questions.  Then I was off on my own until the next check-in.  In her original set of instructions and guidelines, she strongly encouraged holding off on emails in between.  Chances were, I would solve any problems on my own and learn from the process, she said.  And she was right.

I started out thinking 2 weeks per assignment would be plenty.  But the further in I got, the more time I wanted.  I was eager to accomplish as much as possible, and to make the most of Mary’s tutelage.  Each assignment was comprised of a number of different tasks.  She readily admitted to assigning more than could be accomplished in the time allotted, allowing me to choose which pieces I wanted to tackle.  I couldn’t helpful myself from trying complete it all.  In the end, the process stretched out over 5 1/2 months, thanks to Mary’s willingness to be flexible and extend the time between check-ins as much as possible within her schedule.

Early on, Mary had me doing a lot of freewriting.  As this book is a memoir, she gave me writing prompts which provided me with an inventory of thoughts, ideas, influences, experiences, and life shaping moments that might ultimately find a home in my manuscript.  She also asked me to read as many books as I could find written by touring cyclists, since that’s the nature of my book.  I quickly found the value in that, sizing up what made them boring, compelling, repetitive, well crafted.  And especially, what made me really care about the cyclists.

Not until assignment 5 did I begin sending in chapter rewrites for editing.  By then, I finally felt ready to build on all my new knowledge and try out the techniques I was learning.  They came back with a warning that she made “extensive suggestions.”  I welcomed the honest feedback and heavy hand – those have become treasured examples.  I continue to look back on them as I rewrite other chapters, taking her edits to heart and trying my best not to repeat the same mistakes.

Throughout, Mary was supportive and encouraging.  And I was right about the benefit of personalized attention, and working with someone who knew my work intimately.  Each assignment was based on my progress to date.  If one approach didn’t work for me, she’d try another tact.  And she always stressed that her insights and suggestions were just that – the final decisions always rested with me.

I started with a pile of content – I admitted to Mary that’s all it was.  By the end, I mostly have that same pile of content.  But now I have a roadmap.  I drastically narrowed my scope.  I identified critical elements that need to be woven into my existing chapters.  I have a detailed revision list.  I know where I need to add chapters.  And I understand how to structure those chapters to be a compelling read.  Have I mastered all that yet?  Hardly.  But I feel like I know where I’m going with this.

I want to note that none of this was dictated by Mary.  It came about through the artful learning and discovery process she led me through.  True to her role she was my coach and mentor.  She taught me skills and I practiced under her guidance.  Now it’s up to me to play my own game.

On Location

Donning every possible layer of outdoor clothing I own, I pull on my mukluks, fling a camera around my neck and grab my notebook.  It’s time for the start of the Arrowhead 135!

At the 7am start, it’s -9 degrees with a touch of snow falling in International Falls MN.  Bikers, runners and skiers line up and head down the Arrowhead Trail as fireworks light up the inky sky.  The race takes its heritage seriously, ranked as one of 50 toughest races in the world.  The finish line is 135 miles away.Skier in Arrowhead 135

These intrepid athletes will endure up to three days on the trail, with temperatures predicted in the -22 degree range by morning.  My role is far easier.  And warmer.  I am here to cover the race for the Lake Country Journal, a beautiful glossy magazine that covers all things related to our northern lakes area.

Teaming up with Rich, we have created a new niche for ourselves – find fun events that interest us, sell the idea to a magazine, attend and experience them, then produce a story.  I write, he takes the photographs.

Today we leapfrog the trail, catching the racers at intervals along the way.  Rich looks for unique photo opps, I make mental notes of what I see – the steadfast determination in the racers’ eyes, the thick boots, the ice encrusted beards and fanciful antler hat.  We have time to warm up in the car.  The racers have only their energy to heat their bodies.

Biker in Arrowhead 135I would never be here if it weren’t for my writing.  Seeing folks pursue the impossible.  Following the Holiday Train.  Leaning the ins and outs of sled dog racing.  Attending a home grown radio show.  Then bring them to life for others.  New horizons, unique adventures, a break in my strict daily routine.  It’s a privilege to be able to write about topics of my own choosing.Runner in Arrowhead 135It wasn’t always this way.  Getting here has a been a seven year journey of my own.  I got my humble start in writing with Lake Superior Magazine, which accepted my first cold submission.  Editor Konnie went on to gently mentor me year after year, offering me more stories as my skills improved.  Just seeing my work come out in print was a big thrill.  And it remains one of my favorite magazines to write for.

As today’s racers doggedly push on toward the finish line I remain vigilant as we chase them down the trail, composing lines in my head, shaping the story to share with my readers.  It’s already been a memorable adventure, and we haven’t yet seen them press on through the dark of night.  But when they do, I’ll be there.  With my talented photographer husband at my side.  On Location.Molly and Rich at Arrowhead 135

The Rest of the Story

This time it was Sarah who granted me permission to use an image.  Following our amazing cyber connection forged by my photo of Crisp Point Lighthouse, her parish magazine is ready for distribution.

Crosstalk parish magazine with Crisp Point LighthouseThis weekend, Crosstalk – and Crisp Point Lighthouse – will be making its way into three Church of England parishes near Durham, England.  In addition to the usual church news, promotions for upcoming events, schedule of services and useful contact information, it carries a wealth of stories, trivia and well researched facts centered on the theme of “Light.”  This is more than your weekly church bulletin – it makes for great reading and even includes a recipe!  No wonder this publication has won awards.  As a writer for regional magazines, I am impressed and even more pleased to be a part of this issue.

Sarah and I continue to discover mutual connections – bell ringing, her brother-in-law who may in fact have been my Economics professor, cyclists in Scotland and bad memories of old fashioned “stockings.”

A return to Durham to meet Sarah just moved up my travel wish list.  I hope that will be part of the rest of this story.